Fred Astaire and Dances, Dances, Dances There are moments when you just want to watch something classic, light, and enjoyable. For me, whenever that mood strikes, a few films with Fred Astaire instantly come to mind. A true Hollywood star, he always knew how to showcase both his charm and his extraordinary dancing skills. "The Gay Divorcee" is one of those projects. I wouldn’t call this film particularly special—it’s rather average. However, the on-screen duo of Fred Astaire and Ginger Rogers makes it easy and entertaining to follow the comedy unfolding in this story. The two had already worked together in Flying Down to Rio, but I found this film far more enjoyable. The plot feels quite familiar to modern audiences. Keep in mind, though, the film was released in 1934, when the story probably seemed fresh and original. Over the years, cinema has offered many similar takes—absurd yet amusing situations, played out in countless projects. Still, they remain fun to watch, even if at times unrealistic. And I always remind myself: this is cinema, and its magic lies precisely in that sense of unreality, which comes alive on the screen. The movie is filled with dance—beautifully choreographed dance. Astaire, as always, shines, brilliantly displaying his mastery of tap. His character, Guy Holden, accidentally meets Mimi Glossop, played by Rogers, and from that point on, everything is turned upside down. The story draws in both its characters and the audience. The creators clearly put effort into shaping the characters: they’re amusing, engaging, and above all, pleasant to watch. The film is also packed with jokes—sometimes genuinely funny. I wouldn’t call it an outstanding comedy, but plenty of moments here are sure to make you smile. It’s a good film. A classic. Sometimes predictable, sometimes a bit convoluted, but always positive. It was made to entertain, to lift the mood of anyone willing to give it a chance. And even nearly a century after its release, it still works. The black-and-white visuals certainly remind us of its era, but they don’t hurt the experience. The film doesn’t need color—its characters provide it. "The Gay Divorcee" truly lives up to its title—it’s cheerful and fun. For me, the film was a great chance to once again enjoy the artistry of Astaire, though it would be impossible to overlook his on-screen partner, Ginger Rogers. Their chemistry was undeniable, and the result is a charming film that’s sure to appeal to anyone who loves musical comedies of that era. 6 out of 10